“Hold Up Your Hands (In the Name of the Law of Love).” Words by Mercer Cook and Thomas Blandford, music by J. Russel Robinson (1932). Recorded by Elsie Carlisle and Sam Browne on March 3, 1933. Decca F. 3504 mx. GB5634-2.
“Hold Up Your Hands (In the Name of the Law of Love)” was written by American songwriters Mercer Cook, Thomas Blandford, and J. Russel Robinson in 1932; that year they also wrote the very successful “Is I in Love? I Is,” as well as “Stop the Sun, Stop the Moon,” which Elsie Carlisle recorded with Ray Starita and His Ambassadors. This duet involves a fanciful metaphor in which it is not clear whether Sam Browne is an agent of “the law” he keeps invoking (viz. the law of love or of Cupid) or a robber carrying out a holdup; he seems to entertain both notions. At any rate, Elsie seems to acquiesce to his demands that she “put up [her] lips, and hold up [her] hands” with little resistance. 1933 was the second year of Sam and Elsie’s recording duets together, and “Hold Up Your Hands” is fairly representative of their duetting style (when they are not bickering, of course).
“Stop the Sun, Stop the Moon.” Words and music by Hartwell “Harty” Cook, W. Mercer Cook, and J. Russel Robinson. Recorded by Ray Starita and His Ambassadors with vocalist Elsie Carlisle on September 1, 1932. Four-in-One 6 mx. S2557-2.
Personnel: Ray Starita-reeds dir. Nat Gonella-t / tb / prob. Chester Smith-reeds / Nat Star-reeds / George Glover-reeds-vn / George Hurley-vn / George Oliver-g / Arthur Calkin-sb / Rudy Starita-d-vib-x1
“Stop the Sun, Stop the Moon (My Man’s Gone)”2 is a 1932 composition by Harty Cook, Mercer Cook, and J. Russel Robinson (the latter two also produced the popular “Is I in Love? I Is” that same year). In this song, the singer makes almost Biblical demands for the powers of nature — and technology, for that matter — to cease their usual operations, for she has lost her man. This sort of theme was suited to Elsie Carlisle’s dramatic manner of delivery, and in this recording her impassioned complaint serves as a fitting summation to the pulsating instrumental interpretation of the tune by Ray Starita and His Ambassadors’ Band. They would do another take of the song that day with Elsie, and it appears on Sterno 1028.