“Deep in a Dream.” Words by Eddie De Lange, music by Jimmy Van Heusen (1938). Recorded by Elsie Carlisle under the musical direction of George Scott-Wood at Studio 1, Abbey Road, London on February 1, 1939. HMV B.D. 663 mx. OEA7519-1.
In “Deep in a Dream,” the singer depicts herself sitting in a dark room, smoking and getting drowsy as she remembers a lover who is now inaccessible — whether through distance, dissolution of the romance, or death, we do not really know. The lost lover’s descent on a smoke staircase (as described in the lyrics) might suggest a quirky sort of descent from heaven. At any rate, the genuinely dreamy music swells as the memories of happier times are revived (“Awake or asleep, every memory I’ll keep / Deep in a dream of you”). The reverie ends when the cigarette burns the singer’s fingers and wakes her. To my knowledge, while this is one of three Jimmy Van Heusen songs written in 1938-1939 involving dreams1, it is the only one that uses the absence of fire safety as a plot point.
The lyrics of “Deep in a Dream” leave us in the dark as to what has happened between the two lovers. Elsie Carlisle’s interpretation is successful because she evokes the melancholy of the dark, smoky room, only to imbue her dream with a truly ecstatic spirit. She seems content to express alternating strong emotions, rather than to establish some sort of vocal character, as she often does. The anonymous studio band (led by director George Scott-Wood) complements Elsie’s singing nicely, contributing to this decidedly atmospheric piece.
“Two Sleepy People.” Words by Frank Loesser, music by Hoagy Carmichael. Recorded by Elsie Carlisle under the musical direction of George Scott-Wood on February 1, 1939 at Studio 1, Abbey Road, London. HMV B.D. 661 mx. OEA7516-1.
“Two Sleepy People” was composed by Tin Pan Alley greats Hoagy Carmichael and Frank Loesser for the 1938 Paramount feature Thanks for the Memory, where it was introduced by Bob Hope and Shirley Ross. The song describes a young couple who, in spite of the late hour and an increasing lack of conversational topics, are nonetheless “too much in love to say goodnight.” Eventually we learn that they are married and that their late-night behavior predated their nuptials; their change in marital status appears to have done little to alter the long hours they keep. The idea of a married couple so happy together that they are willing to go through life rather exhausted is but the kernel of this excellent, perennial song’s success. For Elsie Carlisle, in the later years of her recording career, “Two Sleepy People” provides an opportunity to showcase the continuing and perhaps even increased sweetness of her voice and dramatic delivery. It also gives her the chance to describe herself as “me, your little snooks!” The payoff in cuteness is inestimable.