Ray Starita, Sam Browne

“You’ll Find Out” (1932)

“You’ll Find Out.” Words and music composed by Archie Gottler and Betty Treynor (a pseudonym of Lawrence Wright) for On with the Show. Recorded in London on June 15, 1932 by Ray Starita and His Ambassadors with vocalists Elsie Carlisle and Sam Browne. Sterno 984 mx. S-2477-2. Personnel: Ray Starita-cl-ts dir. Nat Gonella-t / t …

Nat Star, Ray Starita, Rudy Starita

“Rock Your Cares Away” (1932)

“Rock Your Cares Away.” Words and music by Leonard Blitz (as Leo Towers), Harry Sugarman (as Harry Leon), Lawrence Wright (as Horatio Nicholls) (1932). Recorded in London on November 5, 1932 by Rudy Starita and His Ambassadors with vocalist Elsie Carlisle. 4 in 1 – 17 mx. X-218-2. Personnel: probably Nat Star-cl-as dir. / Nat …

Ray Starita

“I Heard” – Ray Starita with Elsie Carlisle (1932)

“I Heard.”  Words and music by Don Redman (1931).  Recorded by Ray Starita and His Ambassadors with Elsie Carlisle on September 1, 1932.  Four-in-One 5 mx. X-149-2. Personnel: Ray Starita-cl-ts dir. Nat Gonella- t/ t / tb / ?Chester Smith-cl-as-bar-o / Nat Star-cl-as / George Glover-cl-ts-vn / George Hurley-vn / Harry Robens-p / George Oliver-bj-g …

Gilt-Edged Four

“I Can’t Get Over a Boy Like You” (1927)

“I Can’t Get Over a Boy Like You.” Words by Harry Ruskin, music by Martin Broones.  Composed for LeMaire’s Affairs (1926). Recorded by Elsie Carlisle with the Gilt-Edged Four on February 7, 1927. Columbia 4275 mx. WA-4805-1. Personnel: Al Starita-as / Ray Starita-t s/ Sid Bright-p-cel / Rudy Starita-d This recording of Elsie Carlisle singing “I …

Ray Starita

“Stop the Sun, Stop the Moon” (1932)

“Stop the Sun, Stop the Moon.” Words and music by Hartwell “Harty” Cook, W. Mercer Cook, and J. Russel Robinson. Recorded by Ray Starita and His Ambassadors with vocalist Elsie Carlisle on September 1, 1932. 4 in 1 6 mx. S-2557-2. Personnel: Ray Starita-reeds dir. Nat Gonella-t / tb / prob. Chester Smith-reeds / Nat Star-reeds / …

Ray Starita

“Leave Me Alone with My Dreams” (1932)

“Leave Me Alone with My Dreams.” Written by Joseph George Gilbert (1932). Recorded by Ray Starita and His Ambassadors, with Elsie Carlisle as vocalist, on March 2, 1932. Sterno 923 mx. S-2274-3. Personnel: Ray Starita-cl-ts dir. Sid Buckman-Nat Gonella-t / tb / probably :- Chester Smith-cl-as-bar-o / Nat Star-cl-as / George Glover-cl-ts-vn / George Hurley-vn …

More on this topic

Ray Starita

“On a Dreamy Afternoon” (1932)

“On a Dreamy Afternoon.” Lyrics by Robert Hargreaves and Stanley J. Damerell, with music by Montague Ewing (1932). Recorded by Ray Starita and His Ambassadors on September 15, 1932, with vocals by Elsie Carlisle. 4 in 1 7 mx X-160-2.

Personnel: Ray Starita-cl-ts dir. Nat Gonella-t / t / tb / prob. Chester Smith-cl-as-bar-o / Nat Star-cl-as / George Glover-cl-ts-vn / George Hurley-vn / Harry Robens-p / George Oliver-bj-g / Arthur Calkin-sb / Rudy Starita-d-vib-x

Ray Starita and His Ambassadors w. Elsie Carlisle – “On A Dreamy Afternoon” (1932)

“On a Dreamy Afternoon” was composed by Montague Ewing, who was known for his light music. The lyricists Hargreaves and Damerell (who sometimes used the joint pseudonym “Erell Reaves”) more frequently collaborated with composer Tolchard Evans, turning out such popular tunes as “Lady of Spain” and “If.”

Ray Starita’s version of “On a Dreamy Afternoon” was made in 1932, the last year of his recording career and one of the best, when his band included such greats as Nat Gonella and Nat Star. It was also the only year he used Elsie Carlisle as a vocalist, though he did so quite a bit, turning out excellent recordings of “Kiss by Kiss,” “Let That Be a Lesson to You,” and “I Heard,” amongst others. “On a Dreamy Afternoon” has music and lyrics that are mellow and atmospheric and showcase nicely the sweet quality of Elsie’s voice — this is definitely not one of her torch songs, and there is nothing particularly naughty in it — it is soothingly beautiful and romantic.

The recording in the YouTube video above is one of two takes of the song recorded by Ray Starita with Elsie Carlisle that day; the other appears on Sterno 1026:


Other versions of this song were recorded in October 1932 by Arthur Lally (Maurice Elwin, vocalist), Jack Hylton and His Orchestra (with vocals by Pat O’Malley; hear the unissued take 3 on jackhylton.com), and Carroll Gibbons and the Savoy Hotel Orpheans, with Cavan O’Connor singing).

Ray Starita

“Let That Be a Lesson to You” (1932)

“Let That Be a Lesson to You.”  Words and music by Isham Jones (1932).  Recorded by Ray Starita and His Ambassadors with vocals by Elsie Carlisle on June 15, 1932.  Sterno 985 mx. S-2478-3.

Personnel: Ray Starita-cl-ts dir. Sid Buckman-Nat Gonella-t / tb / ?Chester Smith-cl-as-bar-o / Nat Star-cl-as / George Glover-cl-ts-vn / George Hurley-vn / Harry Robens-p / George Oliver-bj-g / Arthur Calkin-sb / Rudy Starita-d-vib-x

Let That Be a Lesson to You – Ray Starita and his Ambassadors (w. Elsie Carlisle)
Transfer by Charles Hippisley-Cox

“Let That Be a Lesson to You” has a long instrumental introduction that is mellow but catchy, and one might almost expect it to lead up to a conventional love song. The vocal refrain, however, consists of Elsie Carlisle scolding her love for being unfaithful and returning to her in disgrace. In spite of this theme, the sound of the piece somehow fits in nicely with Elsie’s other work with Ray Starita’s band in 1932, the only year of their collaboration. It is light and dreamy; one might compare its atmosphere to “Leave Me Alone With My Dreams” or “On a Dreamy Afternoon.”

In 1932 “Let That Be a Lesson to You” was recorded in America by the Isham Jones Orchestra and by the Coon-Sanders Orchestra.  In Britain, in addition to the Starita recording with Elsie Carlisle, there were versions by the Savoy Hotel Orpheans (with Chick Endor and Charlie Farrell as vocalists), by Jay Wilbur and His Band (with vocals by Tom Barratt), and by Sam Browne and Eve Becke (under the pseudonyms “Jack and Jill”).

Ray Starita

Happy 110th Birthday, Ray Starita!

Ray (Renato) Starita, an Italian-American, along with his brothers Al and Rudy (and the less well-known Julio) were influential in British dance band music in the 1920s and early 1930s.  Ray, a saxophonist and clarinetist, led the Piccadilly Revels Band and the Ambassadors’ Band.

John Wright has compiled some interesting historical data regarding the Starita family, drawing on the accounts of their children, and he provides a unique photo gallery of Ray Starita‘s career in England and later life in the United States.

Elsie Carlisle made a number of noteworthy recordings with Ray Starita and His Ambassadors’ Band in 1932, including “Let That Be a Lesson to You,” “I Heard,” and Noël Coward’s “Mad About the Boy.”