“Rock Your Cares Away.” Words and music by Leonard Blitz (as Leo Towers), Harry Sugarman (as Harry Leon), Lawrence Wright (as Horatio Nicholls) (1932). Recorded in London on November 5, 1932 by Rudy Starita and His Ambassadors with vocalist Elsie Carlisle. 4 in 1 – 17 mx. X-218-2.
Personnel: probably Nat Star-cl-as dir. / Nat Gonella-t / t / tb / cl-as / cl-ts / vn / p / bj-g / bb-sb / Rudy Starita-d-vib-x
It is a little difficult to taxonomize this recording of “Rock Your Cares Away” by bandleader. It is clearly Ray Starita’s band, as is indicated on the label of the Sterno recording made at the same session (Sterno and 4 in 1 were both products of the British Homophone Company), but Ray had not returned from a vacation to America the previous summer and so could not have directed the music. The 4 in 1 record from the session mentions not Ray, but his brother Rudy Starita, the percussionist who did eventually take over control of the band from his brother. And yet Rust and Forbes think it likely that this particular session was led by Nat Star, who was generally in charge of dance music at Homophone.1
Whoever directed it, the result was a memorable piece of lively dance band music. The lyrics of “Rock Your Cares Away” exhort us to cast away gloom, live in the moment, and “…rock [our] cares away / In a cradle of dreams.” The Star/Starita 4 in 1 version is uptempo; Elsie Carlisle’s vocal refrain, while brief, is memorable for its ebullience. Her enthusiastic delivery is infectious and evocative of a carefree mental state, and she gets across the song’s message through raw energy rather than mere earnestness.
“Rock Your Cares Away” was also recorded in 1932 by Billy Cotton and His Band (v. Cyril Grantham), Ray Noble and His New Mayfair Orchestra (v. Al Bowlly), Jack Hylton and His Orchestra (v. Pat O’Malley), and Ambrose and His Orchestra (with an unidentified vocalist).
- Brian Rust and Sandy Forbes. British Dance Bands on Record, 1911 to 1945, and Supplement. Bungay, Suffolk: Richard Clay, Ltd., 1989, 1021-1022. ↩