“Room Five-Hundred-and-Four.” Words by Eric Maschwitz, music by George Posford. Composed for the Eric Maschwitz revue New Faces (1940). Recorded by Elsie Carlisle under the musical direction of Jay Wilbur in London on February 10, 1941. Rex 9934.
“Room Five-Hundred-and-Four” has its origins in the 1940 revue New Faces, which is also where “A Nightingale Sang in Berkeley Square” was introduced. The lyrics describe a woman’s happy memory of a night spent with her lover in a luxury hotel too expensive for either of them. She describes the night as “her very first and only rendezvous,” and for good reason: this comparatively wholesome song is about a honeymoon, not a tryst. It is tame, therefore, by the standards of Elsie Carlisle’s songbook, which includes not just “My Man o’ War” but also “Public Sweetheart No. 1.”
Elsie Carlisle committed “Room Five-Hundred-and-Four” to shellac in her last year of recording. While I generally prefer the underlying compositions of her earlier period, it is delightful to hear her voice on her later Rex-label records. Elsie’s later style of singing seems slightly more confident, and the crisp beauty of her voice is made even more evident by the more modern recording techniques available by that time — in spite of Rex’s reputation for “crackly” shellac. The studio band’s virtuosity is showcased nicely in their rather swingy instrumental segment.
“A Nightingale Sang in Berkeley Square” is a simple, sentimental love song that recounts the circumstances of the first meeting of two lovers in Berkeley Square, Mayfair, London, which happens to be only five blocks from where Elsie Carlisle lived for decades. On April 11, 1940 she recorded this atmospheric composition for the Rex label to the accompaniment of an electric organ. Hers remains one of the memorable early versions of the piece, which continues to see treatments by popular artists to this day.