James Cavanaugh Articles

“Umbrella Man” (1939)

“Umbrella Man.” Words and music by James Cavanaugh, Larry Stock, and Vincent Rose (1938). Recorded by Elsie Carlisle with orchestral accompaniment under the musical direction of George Scott-Wood in Studio 2, Abbey Road, London on February 1, 1939. HMV BD 661.

Umbrella Man – Elsie Carlisle

Video by David Weavings (YouTube)

“Umbrella Man” is a slow waltz whose lyrics describe a tinker who specializes in umbrella repair. When work is slow, he will fix other commonplace things, such as socks, clocks, and the occasional broken heart. How he accomplishes the latter is not explained; it is a mere assertion. Elsie Carlisle lends sincerity to this simple song with her imitation of the umbrella man’s intoned value proposition (“Um-BRELL-as!… Any umb-er-ellas to fix today?”).

American Kay Kyser recorded his popular version of this song on September 1, 1938. By the end of that month, international attention focused on another Umbrella Man, British Prime Minister Neville Chamberlain, who was seldom photographed or even caricatured without his trademark umbrella. The doomed Munich Agreement signed with the Nazis had put Chamberlain in the international spotlight and may have revived interest in the song “Umbrella Man.” To be sure, many versions were recorded on both sides of the Atlantic, and by March, 1939 the Milwaukee Journal would report

The best selling [sic] song in the country today is “The Umbrella Man,” which owes a part of its popularity to British Prime Minister Chamberlain’s omnipresent umbrella… [D]ozens of cartoonists have used the song title as a text in describing the British statesman… Like many hits, no one wanted to publish it at first and it seemed destined for a pigeonhole until a bandleader got wind of it. Now “The Umbrella Man,” thanks to Neville Chamberlain, will yield its authors about $10,000 per man.

“Umbrella Man” was recorded in America in 1938-1939 by Kay Kyser and His Orchestra (with vocals by Harry Babbitt and Ginny Simms), Johnny Messner and His Orchestra (vocals by The Three Jacks), Swing and Sway with Sammy Kaye, Connee Boswell (accompanied by Woody Herman and His Orchestra), and the Benny Goodman Quintet.

In Britain it was recorded by Nat Gonella and His Georgians (v. Nat Gonella), Ambrose and His Orchestra (with vocals by Denny Dennis), Joe Loss and His Band (with vocalist Chick Henderson), Billy Cotton and His Band (with Alan Breeze, Jack Hylton and His Orchestra (with vocalist Sam Browne), Billy Thorburn’s The Organ, The Dance Band and Me (with vocals by George Barclay), Mantovani and His Orchestra (with Jack Plant), Josephine Bradley and Her Ballroom Orchestra (with Pat O’Regan singing), Harry Roy and His Orchestra (v. Harry Roy), Victor Silvester and His Ballroom Orchestra, and Maxwell Stewart’s Ballroom Melody. A notable version not done by a dance band is that of music hall comedians Flanagan and Allen.

“Mr. Magician” (1934)

“Mr. Magician (Won’t You Bring My Honey Back to Me?).” Words and music by Charles O’Flynn, James Cavanaugh, and Frank Weldon (1934). Recorded by Elsie Carlisle and Sam Browne with orchestral accompaniment on June 22, 1934. Decca F. 5079.

Elsie Carlisle and Sam Browne – “Mr. Magician” (1934)

O’Flynn, Cavanaugh, and Weldon were prominent Tin Pan Alley songwriters, but their 1934 “Mr. Magician” does not appear to have inspired many recordings. It may have seemed outrageously corny even by the standards of the time (consider the lines of the refrain: “Hocus, pocus, Mr. Magician, won’t you bring my honey back to me?”). All the same, this melodramatic arrangement (complete with an anonymous carnival barker, with Sam Browne as a grandiose, boasting circus magician, and with Elsie Carlisle as an earnest girl who wants to “find [her] man somehow”) has a certain appeal. Elsie plays the Dorothy to Sam’s Great Oz with a comical insistence; the whole piece is cartoonish, funny, and sweet.

New York-based Sam Robbins and His Orchestra had done a catchy version of the song in January, 1934, followed by Ozzie Nelson and His Orchestra (with vocalists Ozzie Nelson and Harriet Hilliard) in February). In Britain Harry Roy and His Orchestra had recorded it with vocals by Bill Currie in mid-May; the latter version includes the following priceless exchange:

— “I say, Mr. Magician, won’t you bring my baby back to me?

— “Sorry, I need her for myself!”

"The Idol of the Radio." British dance band singer of the 1920s, 1930s, and 1940s.