Latest posts

Biography & Career

“Crooning to You…” (Radio Pictorial, 1937)

Radio Pictorial, a weekly publication for wireless aficionados, carried in its October 15, 1937 issue the final installment of an interview with Elsie Carlisle entitled “Crooning to You…”  House style seems to have demanded that it take the form of redacted answers to suppressed questions; it is Elsie who does all the talking, and she appears to prattle on endlessly without any prompting, which was no doubt the intended effect.  One may divine the glorious sort of fluff included in the item from highlights printed in bold at the top of the page:

When I Was Electrocuted—But The Show Went On  ::  Footballs Are SO Hard !  ::  My Greyhounds  ::  Off to America

And who could argue with Elsie regarding the famed hardness of footballs, when — what, electrocuted???  Actually, that was rather a favorite story of Elsie’s, or perhaps of the magazine’s editors, for it would appear again in the 1938 Ralph Graves article “Radio Sweetheart No. 1.”

The salient points of the interview are that

  • Elsie Carlisle is a normal human being, like you or I.  She has nightmares about plane crashes — that sort of thing.
  • Elsie is an absurdly resilient performer, utterly loyal to her fans.  She insists that “[t]he show must go on,” even after a car accident or an accidental electrocution; regarding the latter she reports: “I got through the broadcast somehow, and I flatter myself that no listeners noticed any difference in my performance.  But, it is a fact, I was in a coma the whole time.”
  • She is comically impractical: “Nothing, however, could have been so painful as the first time I ever kicked-off at a football match.  I was asked by the Variety Artistes Ladies’ Guild to start a match between Dick Kerr’s Ladies’ Football team and a team of French lady footballers.  I went along in a small pair of silk shoes, and under-estimated the hardness of a football.  I gave it a good kick, and for the rest of the day I could hardly feel my toes.”
  • She is “passionately fond of dogs.”  She tells a very sad story of one of her dogs being hit by a bus.  She has started to keep greyhounds but is usually too busy performing to see them race.
  • After a decade of turning down offers to come and perform and America, she…actually, it is hard to piece together if she has agreed to anything specific.  “[I]f nothing crops up to frustrate my present plans, I shall soon be on my way to America,” she claims.  She expresses hopes that the American public will be as welcoming to her as the British one, but that is as much as we get, and I have never seen anything to suggest that she ever did travel to America.

This is a fundamentally very silly article overshadowed by a not-very-flattering disembodied Elsie head — which is to say that it is exceedingly fun!  Elsie seems to have been just as good at working the press as she was at singing, and she clearly worked hard to earn such commonly repeated epithets as “Idol of the Radio,” “Radio Sweetheart No. 1,” and, on a rare occasion when she was not feeling up to talking to the press, “Distinguished Woman Invalid” (The Dundee Evening Telegraph, January 4, 1939).

Biography & Career

Elsie Carlisle in Radio Pictorial No. 1

Elsie Carlisle appears prominently in the center spread of the first issue of Radio Pictorial (January 19, 1934), a weekly publication.  The item is entitled “CROONERS!” and it also depicts the Boswell Sisters, Edith Baker, Hildegarde, Gertrudge Lawrence, Eve Becke, and Sheila Borrett (the first female national radio announcer).  Elsie would record “Without That Certain Thing” and “Who Walks In When I Walk Out?” that same month.

Solo Recordings

“Who Walks In When I Walk Out?” (1934)

“Who Walks In When I Walk Out?” Words by Ralph Freed, music by Al Goodhart and Al Hoffman (1933). Recorded on January 2, 1934 by Elsie Carlisle. Decca F-3838 mx. GB-6451-2.

Elsie Carlisle – “Who Walks In When I Walk Out?” (1934)

One might think, from its credits, that this “Goodhart-Hoffman-Freed” song was written by the composers of “Fit as a Fiddle,” which Elsie Carlisle had recorded a year earlier, and one would be just slightly more than two-thirds correct. The music was composed by the same two men, while it was Arthur Freed’s somewhat less famous brother Ralph who penned the lyrics to “Who Walks In When I Walk Out?” The latter song would fit in nicely in a soundtrack for a film about American gangsters, although I am not aware of anyone’s actually having used it that way. It was versatile enough to have crossed generic boundaries early, with a 1935 country version by Bob Wills and His Texas Playboys. For Elsie Carlisle, it provided an opportunity to explore a slightly lower area of her vocal range than usual, and her voice has a brooding quality to it as she makes a series of jealous accusations of infidelity, along with what appears to be a physical threat (“I’m gonna give you the third degree…”).

In 1934 there were American versions of “Who Walks In When I Walk Out?” by Adrian Rollini and His Orchestra (Herb Weil, vocalist), and Paul Whiteman and His Orchestra (with Ramona Davies). In Britain artists were more prolific, with recordings by Harry Roy and His Orchestra (with vocals by Bill Currie), Scott Wood and His Orchestra (with vocalist Sam Browne), Jack Payne and His Band (who made one record with Billy Scott-Coomber and one for a German label that was entirely instrumental), The New Mayfair Dance Orchestra, under the direction of Ray Noble, with vocals by Al Bowlly (who curiously talks his way through the lyrics — but to great effect), Jock McDermott’s Silver Serenaders (with vocalists Fred and Leslie Douglas), Harry Leader and His Band (as Joe Taub and His Melodians, with Leslie Holmes), Aileen Stanley (who had relocated to London and was accompanied on this recording by Max Goldberg and other British artists), Madame Tussaud’s Dance Orchestra (with vocalist Annette Keith), Dare Lea’s Band, and the Astorians Dance Band.