“More Than You Know.” Lyrics by William Rose and Edward Eliscu, music by Vincent Youmans (1929). Composed for the film Great Day (unreleased). Recorded by Elsie Carlisle with Jay Wilbur and His Orchestra (uncredited) in London in late September 1930. Imperial 2362 mx. 5510-1.
Personnel: Laurie Payne-Jimmy Gordon-cl-as-bar / George Clarkson-cl-ts / Norman Cole-George Melachrino-vn / Billy Thorburn or Pat Dodd-p / Bert Thomas-g / Harry Evans-bb-sb / Jack Kosky-d-chm / Wag Abbey-x / Len Fillis-bj
In “More Than You Know” we have one of those eminently successful, perennial standards that originated in a Broadway flop (one might compare “Exactly Like You,” also recorded by Elsie Carlisle). It was introduced in the musical Great Day, set in the American Deep South, which saw only 36 performances over the course of a single month. The Vincent Youmans score was so catchy, though, that Metro-Goldwyn-Mayer planned and almost completed a 1930 movie version starring Joan Crawford. Crawford was so personally disappointed with the results (including with her own acting) that she convinced the studio to rewrite and reshoot the greater part of the film and to release it in 1931, but this never happened, and a 1934 attempt starring Jeanette MacDonald also never came to fruition. The legacy of these failed shows, then, is in the songs “Without a Song” and “More Than You Know.”
“More Than You Know” shares the structure of many Broadway tunes of its time, consisting of an introduction that is melodically quite different from the verses. Its intro is even more melancholy than the rest of the song, which is sad in tone but which encapsulates an effusive expression of love for a man without respect to any flaws he might have. Elsie Carlisle’s version fully embraces the gushing quality of the lyrics while maintaining a sense of credibility and sincerity. One might compare it to her recording of “What Is This Thing Called Love?” (which she had introduced on the London stage the previous year); in both, she evokes innocence and vulnerability of a sort that is immediately attractive to the listener. It is worth noting that the Imperial label of the disc on which “More Than You Know” is recorded mentions the film Great Day; there must have still been a keen expectation of the release of the film and a corresponding need for a tie-in.
“More Than You Know” was recorded in 1929 in America by Helen Morgan, Ruth Etting, Libby Holman, and Carmel Myers. It was recorded in London in 1930-1931 by Zaidee Jackson, The Million-Airs (Arthur Lally dir., v. Maurice Elwin), Ambrose and His Orchestra (v. Sam Browne), The New Mayfair Dance Orchestra (Ray Noble dir.; in a medley), Jack Payne and His BBC Dance Orchestra (v. Val Rosing; also in a medley), Gwladys Stanley, and Bert Maddison and His Dance Orchestra (Nat Star dir., v. Dan Donovan; in a medley).